Farah Corrigan

Informed by post-structuralist ideas and a compulsion to find order in the everyday, Farah Corrigan’s work visualises the interaction between various systems – social/psycho-geographical/political. With an interest in contrasting temporality, Corrigan employs a range of processes to create complex grounds. Ancient techniques such as natural dyeing and waxing are found at odds with painted realism and image transfer, creating or mimicking a self-contradictory, complex, post-internet space. Working in an almost modular way, Corrigan’s ‘paintings’ are built to be seen as provisional, ready to be diss and re-assembled.

Farah Corrigan (b. 2003, UK) lives and works in Essex. She received her BA from Camberwell College of Arts - UAL (2025). Selected group shows include: OHSH projects, London, UK (2025), Pusher, London, UK (2025).

August Sundays 24/08

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Farah Corrigan

Jack Ginno

Bertil Osorio

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Farah Corrigan

Reckless Abandon, 2025

Wax on cabbage and nettle dyed calico

60 x 55cm

Jack Ginno

Drawn to objects with painterly qualities and visible signs of human touch, Jack Ginno finds his materials in skips, alleys, junk shops, or studios. He is interested in challenging traditional ideas of authorship, viewing the creative act as something that begins with the artist but is completed by the viewer. By using found objects, chance, and by-products, he aims to disrupt intent-driven making and explore how this affects interpretation, guiding the viewer through a shifting visual language of materials and marks.

Jack Ginno (b. 1991, Cheshire, UK) lives and works in the UK. He received his BA (First Class Hons) in Fine Art from Leeds School of Arts (2013). Recent exhibitions include: Heaven11, Manchester (2025); Warbling Collective, London (2024); 50MV, Liverpool (2024); Gloam Gallery, Sheffield (2023, solo); Warbling Collective, London (2022); and Gloam Gallery, Sheffield (2022).

Jack Ginno

Untitled (SPLT), 2025

Found Objects, Oil

22.5 x 20 cm

Jack Ginno

Untitled (40CMX33), 2025

Found Objects, Oil

10 x 26.5 cm

Bertil Osorio

Drawing on personal memory and storytelling traditions, Bertil Osorio’s eclectic practice centers on moments of quiet reflection and enigmatic phenomena. His work is deeply informed by an ongoing interest in folk culture and popular tradition, which he weaves into richly layered narratives.

Bertil Osorio

Gas station ticklers, 2025

Oil on canvas

40 x 30 cm

Bertil Osorio

Peninsula keeper (self portrait as a bird at the end of the world), 2025

Oil on canvas

35 x 26 cm