Kimberley Beesley

Kimberley Beesley's paintings represent the interaction between the process of painting and the artifice and craftsmanship of objects of antiquity. Kimberley plays on the presence—or concealment—of the artist’s hand within the painted image by reducing the appearance and gesture of painterly brush marks. By applying a process of layering and sculpting the paint on her canvas' she gives weight and tension to the two dimensional surface.

Kimberley Beesley (b.2000, Manchester, UK) recently graduated from MA in painting at Manchester School of Art (2024). Recent group exhibitions include Resonance, Saan1 Gallery, Manchester (2024); MA Show, Holden Gallery, Manchester (2024); and Saul Hay Fine Art Gallery, Manchester (2024).

August Sundays 10/08

Kimberley Beseley

Ole Goldt

Callum Harvey

Chunkook Lee

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Kimberley Beesley

Shelve, 2024

Oil on calico

80 x 50 cm

Kimberley Beesley

Epifaneia, 2025

Oil on calico

50 x 50 cm

Ole Goldt

Ole Goldt’s paintings draw on the logic of “the gostak distims the doshes”, engaging with the idea that form and syntax can evoke understanding even when specific references remain obscure. This sense of estrangement and nostalgia is generated through his use of a Polaroid-like, muted colour palette. Goldt’s compositions often suggest the disoriented gaze of a lost subject, with fragmented imagery and elusive forms that hover between recognition and abstraction.

Ole Goldt (b. 1997, Eutin, Germany) recently completed his MA in painting at Muthesius University of Arts and Design, Kiel (2025). Recent group exhibitions include Landesschau des BBK SH, Museumsberg, Flensburg (2024); Where the stress falls, Galerie Rainer Gröschl, Kiel (2024); Kommentarspalte, 8salon, Hamburg (2024); Baggage, Etablissement d’en face, Brussels (2024); Falsche Fährte, Hoheluftchaussee 139, Hamburg (2024); Walking straight on a crooked path, GVUN, Náchod (2023); and ArtistFiction, Brunswiker Pavillon, Kiel (2023).

Ole Goldt

Gostak, 2024

Oil on linen

130 x 160 cm

Ole Goldt

In Limbo, 2023

Oil on linen in artists frame

40 x 50 cm

Callum Harvey

Callum Harvey’s paintings explore the subtle interplay between natural forms and design. He applies a unique layering technique, building up thin layers of transparent oil paint which form a flattened surface, acting as a window to the colour beneath. Within his dedication to surface, Harvey’s abstracted natural forms are rendered papery flat. Strange and ambiguous and unified in their palette, his paintings gradually come into focus through a low contrast and layers of paint, resulting in hyper stylised depictions of nature.

Callum Harvey (b. 1998) lives and works in Cornwall, UK. He completed his BA at Falmouth University in 2020 and received a scholarship to study for his MA at the Royal College of Art graduating in 2023. He completed a residency at Porthmeor Studios, St Ives in 2019. Solo presentations include Caught in the Sun’s Red Loom, Pipeline, London (2025); Art Rotterdam (2024); Interlace, Pipeline, London (2023). Group exhibitions include Art Works Gallery, Singapore (2024); Huxley-Parlour at Miart, Milan (2024); Kingsgate Project Space, London (2023); Safehouse, London (2023); Centre Space Gallery, Bristol (2023) and Huxley-Parlour, New York (2023).

Callum Harvey

Untitled (Branches), 2025

Oil on canvas

35 x 25 cm

Callum Harvey

Interlace, 2025

Oil on canvas

50 x 25 cm

Chunkook Lee

Chunkook Lee’s practice draws from the symbolic visual language of myth, fantasy, and religious iconography. Working across a range of techniques and materials, he expands the boundaries of painting into three-dimensional space. This dynamic interplay between surface and medium opens up new ways of interpreting painting and sculpture while reflecting on the relationship between the human and the natural world.

Chunkook Lee (b. 1995, South Korea) holds an MFA in sculpture from Hongik University. His solo exhibitions include Farm, Bio Gallery, Seoul (2025); and Hit and Run, Artspace Hyeong, Seoul (2022). Recent group exhibitions include Yoho Seoul, Seoul (2023); Chamber, Seoul (2023); LUPO, Milan (2023); Mirrored Sphere, Seoul (2023); and L.A.D, Seoul (2023).

Chunkook Lee

(3 grey) Dandelion, 2025

Polymer clay, wooden panel

27.5 x 22.5 cm