The ‘Give Me An Inch’ bookshelf

Vibrant Matter: A Political Ecology of Things

Jane Bennet, 2010

In Vibrant Matter the political theorist Jane Bennett, renowned for her work on nature, ethics, and affect, shifts her focus from the human experience of things to things themselves. Bennett argues that political theory needs to do a better job of recognizing the active participation of nonhuman forces in events. Toward that end, she theorizes a “vital materiality” that runs through and across bodies, both human and nonhuman. Bennett explores how political analyses of public events might change were we to acknowledge that agency always emerges as theeffect of ad hoc configurations of human and nonhuman forces. She suggests that recognizing that agency is distributed this way, and is not solely the province of humans, might spur the cultivation of a more responsible, ecologically sound politics: a politics less devoted to blaming and condemning individuals than to discerning the web of forces affecting situations and events.

Bennett examines the political and theoretical implications of vital materialism through extended discussions of commonplace things and physical phenomena including stem cells, fish oils, electricity, metal, and trash. She reflects on the vital power of material formations such as landfills, which generate lively streams of chemicals, and omega-3 fatty acids, which can transform brain chemistry and mood. Along the way, she engages with the concepts and claims of Spinoza, Nietzsche, Thoreau, Darwin, Adorno, and Deleuze, disclosing a long history of thinking about vibrant matter in Western philosophy, including attempts by Kant, Bergson, and the embryologist Hans Driesch to name the “vital force” inherent in material forms. Bennett concludes by sketching the contours of a “green materialist” ecophilosophy.

A Billion Black Anthropocenes or None

Kathryn Yusoff, 2018

No geology is neutral, writes Kathryn Yusoff. Tracing the colour line of the Anthropocene, ‘A Billion Black Anthropocenes or None’ examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery. Yusoff initiates a transdisciplinary conversation between feminist black theory, geography, and the earth sciences, addressing the politics of the Anthropocene within the context of race, materiality, deep time, and the afterlives of geology.

Surfacing

Kathleen Jamie, 2020

Under the ravishing light of an Alaskan sky, objects are spilling from the thawing tundra linking a Yup'ik village to its hunter-gatherer past. In the shifting sand dunes of a Scottish shoreline, impressively preserved hearths and homes of Neolithic farmers are uncovered. In a grandmother's disordered mind, memories surface of a long-ago mining accident and a 'mither who was kind'.

For this luminous new essay collection, acclaimed author Kathleen Jamie visits archaeological sites and mines her own memories - of her grandparents, of youthful travels - to explore what surfaces and what reconnects us to our past. As always she looks to the natural world for her markers and guides. Most movingly, she considers, as her father dies, and her children leave home, the surfacing of an older, less tethered sense of herself.

Surfacing offers a profound sense of time passing and an antidote to all that is instant, ephemeral, unrooted.

Ghost Wall

Sarah Moss, 2021

A haunted landscape. Rituals of the past. A teenage girl in danger.

The Miniaturist Seventeen-year-old Silvie is on a camp in rural Northumberland with her father and a group of scholars, led by an archaeologist with an interest in Iron Age sacrifice. As Silvie glimpses new freedoms with the students, her relationship with her father deteriorates, until the haunting rites of the past begin to bleed into the present. A taut, suspenseful story of ancestry, traces and deep-buried violence that was a Book of the Year in the Sunday Times, Guardian and Observer.

The Poetic of Space

Gaston Bachelard, 2014

Bachelard's lyrical, landmark work examines the places in which we place our conscious and unconscious thoughts and guides us through a stream of cerebral meditations on poetry, art, and the blooming of consciousness itself.

Houses and rooms; cellars and attics; drawers, chests and wardrobes; nests and shells; nooks and corners: no space is too vast or too small to be filled by our thoughts and our reveries.